Craft status
The Heritage Crafts Red List
Drawing on the conservation status system used by the International Union for Conservation of Nature Red List and the Rare Breeds Survival Trust Watchlist, Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation.
Extinct in the UK
Crafts classified as ‘extirpated’ or ‘locally extinct’ are those which are no longer practised in the UK. For the purposes of this research, this category only includes crafts which have become extinct in the past generation.
Critically Endangered
Crafts classified as ‘critically endangered’ are those at serious risk of no longer being practised in the UK. They may include crafts with a shrinking base of craftspeople, crafts with limited training opportunities, crafts with low financial viability, or crafts where there is no mechanism to pass on the skills and knowledge.
Endangered
Crafts classified as ‘endangered’ are those which currently have sufficient craftspeople to transmit the craft skills to the next generation, but for which there are serious concerns about their ongoing viability. This may include crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.
Currently Viable Crafts
Crafts classified as ‘currently viable’ are those which are in a healthy state and have sufficient craftspeople to transmit the craft skills to the next generation. They may include crafts with a large market share, widely popular crafts, or crafts with a strong local presence. A classification of ‘currently viable’ does not mean that the craft is risk-free or without issues affecting its future sustainability/viability.
Heritage Crafts Inventory
The 2025 edition of the Red List of Endangered Crafts marks a significant evolution in how we understand and safeguard traditional crafts.
This year, we introduce the Heritage Craft Inventory – a new, inclusive framework that ensures all heritage crafts, regardless of their current status, have a place where they are recognised and valued under one umbrella. This expanded approach allows us to shine a light not only on endangered and critically endangered crafts, but also on those that are resurgent, culturally distinctive, or rooted in specific communities and regions. It reflects the dynamic landscape of craft today – one that is constantly evolving and shaped by both challenges and opportunities.
Culturally distinctive crafts
Crafts designated as ‘culturally distinctive’ might have a broad uptake across the UK, but hold a particular significance for a defined community of practice, whether that is geographic, cultural, ethnic or religious. Those that are also on the Red List are known as ‘crafts in need of cultural safeguarding’.
- Canal art and boat painting (craft for cultural safeguarding)
- Cornish hedging (craft for cultural safeguarding)
- Fair Isle Knitting
- Fair Isle straw back chair making (craft for cultural safeguarding)
- Fairground art (craft for cultural safeguarding)
- Gansey knitting
- Harris tweed weaving
- Islamic calligraphy
- Northern Isles basket making (craft for cultural safeguarding)
- Orkney chair making (craft for cultural safeguarding)
- Petrakivka (craft for cultural safeguarding)
- Pysanky (craft for cultural safeguarding)
- Sgian dubh and dirk making (craft for cultural safeguarding)
- Shetland lace knitting
- Shinty caman making
- Sofrut calligraphy
- Sporran making (craft for cultural safeguarding)
- Thatching (Irish vernacular) (craft for cultural safeguarding)
- Thatching (Scottish vernacular) (craft for cultural safeguarding)
- Thatching (Welsh vernacular) (craft for cultural safeguarding)
- Vardo and living wagon crafts (craft for cultural safeguarding)
- Welsh double cloth weaving (craft for cultural safeguarding)
Resurgent crafts
Crafts designated as ‘resurgent’ are currently experiencing a positive trajectory as a result of an upswing in new entrants. Just because a craft is considered resurgent does not mean that it cannot also be endangered, but rather that its decline has started to reverse and that its situation is likely to continue improving.
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SubscribeWonderful evening of speeches in celebration of Living Legacies at @theleathersellers for @londoncraftweek.
What is a heritage craft? @maryeluned_craft talks about the history of the Red List of Endanger Crafts and its role in the future. Great thoughts for @londoncraftweek.
Thank you to our incredible speakers, none of this would be possible without you!
#heritagecrafts #londoncraftweek #redlistofendangeredcrafts
Our wonderful Trustee Jonathan Reid from @ernestwrightltd talking about the critically endangered craft of scissor making at our Living Legacies event at Leathersellers Hall for @londoncraftweek.
We could listen to our makers talk about their passion for their craft all day. ✂️
#scissormaking #heritagecrafts #londoncraftweek
Valeria Leonova @artvaleria talking about the endangered craft of petrykivka.
We’ve had so many of you coming through the doors and it’s been wonderful sharing heritage crafts with you.
#petrykivka #ukrainianfolkart
Devin Valentine @valentine_instruments speaking about Luthiery their time at @westdeancollege and the skill of bow making.
Come along to Leathersellers Hall and meet the makers – we’re here until 16.30.
#heritagecrafts #luthiery #endangeredcraft
James Ducker from @carreducker talking about shoemaking as part of Living Legacies exhibition at Leathersellers Hall as part of @londoncraftweek.
They’ve contributed two items to our @heritagecrafts auction which closes this evening. So get your bids in!
Come along and see some of the other speakers today.
The wonderful Jessica Light talking about passementerie at the Living Legacies exhibition at Leathersellers Hall.
We have a full line up of talks by our makers.
Auction Item 3: Bespoke handsewn shoes by @carreducker
The item:
This incredible commission offers the chance to design the bespoke shoes or boots of your dreams while uniquely supporting three endangered crafts: handsewn shoemaking, last making and oak bark tanning. Your custom footwear – ranging from sneakers to low boots with a maximum 1.5” (4cm) heel – will be built upon bespoke lasts crafted by Springline in Northampton. They will be constructed using the finest oak bark tanned leather from Devon’s historic Bakers tannery. This is a rare opportunity to acquire a wearable work of art and champion the vital survival of multiple at-risk heritage skills simultaneously.
The maker:
Your shoes will be masterfully created by Carréducker, one of London’s leading independent bespoke shoemakers. James Ducker and Deborah Carré retrained as handsewn shoemakers over 30 years ago, driven by a profound passion for the craft. Based in the iconic Oxo Tower near London’s historic Cordwainer Ward, they are dedicated champions of this heritage skill. Beyond crafting beautiful bespoke footwear, they actively share their expertise by teaching complete beginners the 200-plus steps required to make handsewn shoes. Their exceptional dedication was rightfully recognised when they won the Heritage Crafts Made in Britain Award.
The risk:
Handsewn shoemaking is officially classified as endangered on our Heritage Crafts Red List. While historic districts once thrived with artisans, the craft now faces severe threats from mass-produced imports, prohibitive material costs and a critical shortage of professional-grade hand tools. Crucially, this lot also supports last making and oak bark leather tanning, both of which face their own distinct survival pressures in a mechanised world. If we lose these dedicated makers and traditional suppliers, we lose centuries of distinctively British sartorial heritage and the incomparable standard of authentic custom craftsmanship.
Bid before 7.30pm tomorrow (Wednesday 13 May) at https://uk.givergy.com/heritagecrafts/. Proceeds to the makers and Heritage Crafts’ work to safeguard at-risk skills.
📷 @jonny.shoots